#Away from Hate
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jamiesonwolf · 1 year ago
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Ten Years to Love - A Poem
If you had told me that in ten years, I’d be a completely different person, I would have laughed. At the time I was diagnosed, it felt like my world was flooded with so many different emotions. I was alone on a raft, floating out to nowhere. I had no clear idea of where I would end up or how I would get there. I had to learn about who I was all over again, and what I was capable…
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sugar-salt-sea · 21 days ago
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this specific expression Wilson makes whenever House is talking and accidentally admits to something deeply distressing is so funny. psychiatrist stare
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watchingwisteria · 1 year ago
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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ohposhers · 26 days ago
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they're so in love its annoying
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bioethicists · 1 year ago
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i genuinely have no animosity towards ppl who get upset abt not being able to read academic texts + i do think we need to expand the pathways/methods of being exposed to critical concepts so that "sit + read for 2 hours" is not the only option.
however, as someone dx with adhd + incapable of sitting still for even a minute (actually right at this moment i am writing this instead of reading the book sitting open in front of me), i do feel like a lot of ppl do not realize that not all readings are designed to be read like a novel.
as in, it's ok + normal + good to need to reread a paragraph several times, to only read part of a book, to have to research or reference words or concepts in order to grasp the reading, to skip over large chunks of text which are not relevant to your expertise, to continue reading despite not understanding a concept. this is something 'neurotypical' academics do frequently + many of these texts, especially contemporary ones, were designed with this in mind.
there are many ppl with accessibility needs that are not being met by academic texts at this time! many texts (in my humble opinion) are unnecessarily complex in order to show off or hide the fact that they have no idea what they're talking about.
i still feel like many of the kneejerk reactions on this site are based on the assumption that their experience reading academic texts should be similar to their experiences reading a nyt bestseller, rather than a process of thinking, analyzing, researching, processing, returning. some of u are telling yourself that any challenges u face while reading are a result of some internal fault u have + not an expected + precious part of the experience.
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casscainmainly · 4 months ago
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Reading Red Robin after having heard all the fanon takes is hilarious. It's like, oh. That didn't happen. That person didn't say that. That person did say that, but it meant something totally different in context. That happened, but it wasn't as big a deal as people say. That didn't happen. That person didn't say that. Again and again every issue it's actually so funny.
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potassiumprincess · 7 months ago
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i think marinette is worse at resting when she's sick but adrien is worse at sitting things out if he's injured. i have no explanation, these are just the vibes
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inkskinned · 2 years ago
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"the curtains weren't blue on purpose. why should we care?"
my love! let me ask you this - did you eat breakfast today? this tiny moment in your life. just think about it. did you?
for some of you, the answer is yes and for some of you it is technically and for some of you it is does coffee count. some of you reached for cereal or gmo-free overnight oats or frozen waffles or 3-day-old pizza. sometimes we eat the same thing, every day, for weeks. i get tired of eggs randomly, only to go back to craving them desperately. i'm cuban; i take my coffee like my father showed me, very milky and sweet.
some of us ate in a hurry. some of us hate eating breakfast but if we don't we will get nauseous later. some of us took our meds first or took our meds after. some of us have a kitchen 5 feet wide and sometimes it's the biggest room in the house. some of us are confident there will be food in the pantry and some of us flinch and say well, the paycheck is coming. some of us turn on a podcast while we eat or we scroll our phones or write in our diaries.
some of us are choosing, specifically, not to eat breakfast. some of us are too busy. some of us are pretending we "just forgot," but we are ignoring the warning signs that everything feels too-heavy. some of us are so consumed with anxiety or grief that we can't eat. some of us can't stand up long enough to make our coffee. some of us have no table to sit down and eat.
i cannot tell you what an artist "meant" by their choices. but they did have to make a choice, conscious or otherwise, to give you information. to give you a little bit more light. each of these choices are little stars of data; connecting speckles for you to weave through, drawing a line.
you cannot use a mirror in a dark room. for some of us; we will not care that the curtains are blue, because that will just be a data point and not enough light to see by. for some of us, the blue curtains will be the same as our childhood bedroom. it will make us seasick. for some of us, blue will be the color of frostbite. it might look like a pixel up close; but from a distance, oh! the picture blooms.
i cannot tell you what will stick out for you. what will carry meaning. some of you will read the sentence "i didn't have breakfast today" and say "this means nothing." some of you will read that and say "oh, me neither." some of you will say "this means the character is probably a little grouchy." some of you will say "oh, i wonder if they're okay. why didn't they eat anything?" ... art is a mirror. i am holding hands with you, over space and time, and asking you to feel something with me.
i want you to read my work and find a blue pair of curtains. i want you to read my work and find things in it that i never imagined placing. i have no way of knowing what will resonate with you, that's true. and maybe i just was hungry while i wrote this, and thinking about the eggs in my fridge. but if you found meaning, that meaning is yours. it cannot be erased just because i didn't "intend" it. you created a different world by interpreting my work. it's collaborative! that's beautiful! that's stunning!
just! imagine looking at the night sky and saying - it's stupid to have a favorite constellation or a favorite star. they're just there.
because here's the thing - across centuries and cultures, we look up. we still find meaning in the stars. these beautiful, lovely scattered accidents. are you looking? they call. and we look back and say oh! of course we are!
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violent138 · 4 months ago
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On a very stupid note, can you imagine how embarrassing it is for Bruce Wayne, the most paranoid and secretive man on earth, that whenever there's drama in his family it inevitably reaches a significant portion of the superhero community?
And he can't even go after any one person, because Alfred would tell Dick (who tells Wally and Donna, especially if it was really stupid), Steph would tell Kara (who would tell Clark, who would tell Diana, who already knew via Donna), and Tim would tell Kon, Damian would tell Jon and Connor, Duke tells Jason about it, and because Wally told Barry Hal now knows (and other Lanterns), J'onn knew because Bruce was fuming and Clark was trying to figure out how to bring it up, Cass told Dinah and Barbara so now the entirety of the Arrowfam and Birds of Prey know too and so on.
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vulpixelates · 6 months ago
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i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there
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starkspi · 9 months ago
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antiyourwokehomophobia2 · 6 months ago
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I wish men had absolutely zero access to lesbians and lesbian content
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azurecoffin · 4 months ago
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so i saw deadpool & wolverine
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mipmoth · 7 months ago
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Submas VIOLENCE
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hinamie · 4 months ago
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all i have left
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unicornpopcorn14 · 3 months ago
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Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...
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Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.
Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?
I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.
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Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.
Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.
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So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?
Well, to me, this backasswards reaction implies one (or more) of the following:
- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).
- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.
- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?
- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.
- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.
- "Only I can hurt him like that" ahh logic
- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.
This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.
Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.
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All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.
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